4.30.2009


Posted from Diigo. The rest of my favorite links are here.

Cybermuse

How have I not heard about this before? I've just spent part of the morning investigating all the interesting resources on the National Gallery of Canada's Cybermuse, which describes itself as "Your Art Education Resource Site". While from comprehensive, it has a host of inspirational ideas and images built around themes and artists, and has activities that could either be incorporated into the classroom or inspire more hands-on activities.  The site itself is well laid out, although a little buggy for me (not sure if that's a mac issue, a living in China issue, or a mac in china issue).  

4.29.2009

Dreams of Flying


There's something magical about these Dreams of Flying photograph series by Jan Von Holleben; I like the idea of a project that creates a sense of wonder without using photoshop.



4.28.2009

ROTOBALL 2009

(The Big Week Part V)


Rotoball 2009 from The Carrot Revolution on Vimeo.

The Rotoball 2009 Project is an international collaboration between more than 150 students in 20 schools around the world. For more information on the project, click here. Please leave feedback and comments for the students on the Vimeo page.

Thanks to all 20 teachers and more than 150 students who were involved in this project, and special thanks to Heather Swan of Huntington High School for helping turn the project into a global collaboration.

4.27.2009

Here's a great video made by the Students of the Canadian International School of Hong Kong, where the Apple Leadership Summit was held, featuring some the guest speakers.

Edit: Because the video starts playing automatically, I've taken out the embed. You can follow this link to watch the video.

4.26.2009


You say you want some more Marco Torres? Here are some notes from the first half of his presentation. Unfortuantely I wasn't able to stay for the whole thing since I had to get back to Shanghai to teach and stuff...



Torres' uncles were makers of (bad) films in Mexico. Wresters vs. Vampires (sounds like a good movie to me!) The trust and collaboration that Torres saw happening between the filmmaking team he grew up with he didn't see reflected in schools when he began teaching.

Important events are more often remembered as visual images.

Teachers, you have three options: Quit, Complain, or Innovate.

When I Become a Teacher:



Digital Storytelling becomes about Product and Process.
We are blurring the lines between amateur and professional.

Marco Torres has officially killed powerpoint.

"Hong Kong is far, its so far I saw the guy on the plane in front of me get drunk twice. But on the internet, its close."

Schooling is getting in the way of Learning.



Wow.  For the first time, I think, in my life, I have a strong urge to be in Pittsburgh. Link.

HT to MM for the link.

4.25.2009

Jonathan Chambers put together this great little video about this year's festival, which features the opening remarks from Scott McCloud. Even better- it doesn't feature my opening remarks (I'm much more happy behind the camera than in front of it.

  • "Look for suggestive forms, shapes, and lines for creatively framing you image. The actual “subject” is secondary. Your task is creating a compelling photograph. Use ambiguity to achieve a meaningful level of abstraction. By abstraction, I don’t mean, “Something no one can possibly identify.” Rather I mean forms suggestive of other things eliciting emotional reactions."

    tags: Photography


Posted from Diigo. The rest of my favorite links are here.

4.24.2009

I'd intended to wrap up the "Big Week" series on the blog with the premiere of the Rotoball project, but - I have to apologize, that post will come in the next few days.  Since the Film Festival I've added sound and credits, and it just needs a tiny bit of tweaking.   


This weekend we're in Hong Kong for the Apple Education Leadership Summit.  Later today I'll be presenting about creating student film festivals with Amanda DeCardy, Mikey McKillip, David Larson, and Jonathan Chambers.  Unfortunately, I had to replace my mac battery yesterday so rather than liveblogging yesterday, I reinvigorated some old technology to record the session.  Pencil and paper.  I'll update the blog with notes for yesterday as soon as I figure out how to get my sketchbook to interface with the laptop.  

Today however, I'm back online and loving a session I'm in right now on filmmaking in the classroom by Marco Torres.  

First session: Lights Camera Learn!:

Paraphrasing Torres:

There was all these movies in the 80s about the future, Star Wars, Battlestar Galactica. but there were no Latinos in these movies, and what happened to us? I sit on the board with George Lucas and I said I was going to make a short film about how Edward James Olmos is the only Latino to survive a mad cow epidemic, he gives birth to Jimmy Smits who becomes Luke and Leia's Nanny.  Its important to connect our kids to their identities and make them feel empowered for who they are.

Put kids on a bus, challenged them to shoot and edit a music video in 8 hours.   They had to write the music as well.  

Digital SLRs are upping the ante, shooting video- you can do things with the lenses that you couldn't do wihtout a 100K camera just a few years ago. 

Filmmaking: Students are metacognative of both the product and the process.   They are thinking about sounds, movement, editing, cinematography - they can see the balance.  They can say 'that's a really well edited bad movie'.  

Narrative:  Start with a storyboard
Documentary: Start with a mindmap outline.
Montage: Storyboard, mindmap, outline. 

Good storytelling gets people to want to ask more questions after the viewing. 
Los Angeles City website publishes Torres' students videos to promote conservation. 

Kids are good at determining the 'whats and the hows' a good teacher still determines the 'why'.

Kids need to learn how to deliver a compelling narrative - and narration, when reading into the computer, stand up and be animated as you read. 

"We are sitting in the library" - teaches students that idea needs two shots, a wide shot for "in the library" and a medium shot for "sitting" - teaching literacy through storyboards.

No one who writes a film makes the film, the priority is to teach the students how to be great collaborators and great communicators, not great filmmakers.

Constrain the area that they shoot.  Hand edited video over to a new student to add a score.  

Teaching Visual Grammar - digital image 
Wide: Where (location)
Medium: What (action)
Closeup: How (emotions)

4 Ps of filmmaking: 

Planning - The Map
Producing - The Journey
Presneting - The Celebration
Pheedback - The Learning

Equipment: 
ZI6 by Kodak - Quicktime native, AA batteries, removable SD cards, bigger screen than the flip.

Marco uses Livescribe pen to take notes in a paper notebook, which is then saved in the computer as a vector animation.

The amazing thing about this session is that it breaks down how filmmaking is so important on so many levels- to so many different classes.  I'm sitting here with Jonathan Chambers who just said that this has given him so many great strategies for his ESOL classes. 

Second Session: Rock Out! (In Your Class):

Torres' first session was so engaging, that there was no question that I'd stay for the second.  I know  a great deal less about making and recording music than I do about filmmaking-  and considering how much I learned in the last session, I'm looking forward to what I can learn here.

Equipment:
Korg Nanokey - midi keyboard attachment for mac. 
12 Channel Oscilloscope for iTouch/ipod
Garageband- Magic GarageBand is a great way to introduce the 

Wisdom:

The most emotional of languages (music) informs the most unemotional of languages (math).

By having students create music for films, you don't have to deal with copyright issues- it also opens opportunities for more students with more interests to get involved.

John Williams made some of the scariest movie sounds over simply by juxtaposing two notes.

Music has XY coordinates, where X is the length of the song and Y is the pitch.



4.22.2009

This year, the Shanghai Student Film Festival grew in three important ways.  The first was, of course, the inclusion of our inspirational guest speaker.  Scott's classroom visits and presentations instilled a creative energy all over our campus and the other schools involved.  The second was that it was apparent to everyone who had been here for both years that the festival had 'grown up' - the students this year have a deeper understanding as to what it takes to make a good film.  Hopefully each year will set the bar a little higher.





That leads to the third change which, I believe, will help raise that bar even further.  Organized by Amanda DeCardy, we kicked off this year's festival with teacher and student run workshops.  Middle School and High School students had the opportunity to choose classes like "Make a Film in 80 Minutes", "Animation", and "Acting for Film" offered by teachers from participating schools. Even more meaningful were our students teaching students workshops. Some of my IB Film and Digital Video students led a variety of workshops- Meagin ran a workshop on Foley Sound (that's her working with Scott's daughter Sky in the first picture), Cailin taught students about Green Screening (she posed for that shot if you hadn't guessed), and Eugene and Kai did a presentation on Film Analysis. By all accounts the students were engaged and learned a lot.

It's clear to me, that beyond the opportunity to share product in the context of the film festival, this was an excellent opportunity for the students to share process as well.

Finally it was time for a break.  After months of putting together the Shanghai Student Film Festival, working on the Rotoball Project, and doing that other job I have in my spare time - the end of all that work had to be celebrated with a much needed break.  We took a trip down to Hangzhou, a beautiful city about three hours out of Shanghai that is a little more relaxed and a little more scenic- temples and pagodas in rolling hills surround the gorgeous West Lake. 


Although the weather didn't hold out for us, we had a great walk around part of the lake and saw Impressions of West Lake, one of Zhang Yimou's trilogy of folk musicals staged on bodies of water around China.  I took a bunch of photos of the amazing performance, as well as some long exposure shots - I consider those Light Paintings to be a collaboration between Yimou and myself...




This is the second of Yimou's trilogy that Kim and I have seen - we saw Impressions of Liu Sanjie in Yangshou two years ago, and now I'm kicking myself for passing up a chance to see Impressions of Lijiang when we were there last year.   

The rest of our photos from Hangzhou can be seen here - and don't let the sign fool you, its actually a very art-friendly city.

4.21.2009

On Friday before the festival, Scott McCloud came to our foundations art class to participate in our class discussion about our latest project, "sequential sculpture".  This lesson came about in an interesting way- I realized that we'd be well into our ceramics units while Scott was visiting- and so  I wanted to create a project that would deal with some of the ideas that he talks about in his books through sculpture.   Also, I was influenced by two books that I'd recently read, Shaun Tan's The Arrival, and  Keith Sawyer's book Group Genius (more on that later).  From The Arrival we drew our theme of culture shock, and Group Genius has inspired me to do more collaborative projects in my classes (in addition to the video classes which are collaborative by nature).  

Thus our 'sequential sculpture' project was born as a collaborative project.  Interestingly, I didn't find much in the way of examples that predicates this idea.  Certainly there are plenty of relief sculptures that rely on sequence- Scott suggested Trajan's Column, for example.  However we were looking at doing some free standing sculptures, and for that there didn't seem to be much to draw upon.  

Instead we looked at Scott's Making Comics for understanding sequence and framing.  We looked at Art Spiegleman's Maus for inspiration on creating anthropomorphic or abstracted characters, and discussed how that makes them more universal.   We looked at Shaun Tan's The Arrival for some inspiration around our theme, and finally we looked further back into art history for some precedence of sequence and 'choice of moment' - for example, we took a look at the Merode Altarpiece and discussed the sequence there, and the interesting choice of moment - seconds before the Annunciation. We also took a quick look at some work by Louise Nevelson, Mars Tokyo, and Joseph Cornell.  Nevelson's work has always struck me as looking a bit like an abstract comic, and it seemed to me that creating dioramas in sequence would be an interesting way of addressing our project- almost like a 3D comic. 

Here are some highlights from our class discussion; Scott shares some insights into what is working with their project and suggests some thoughts to take their ideas further:


Following the class visit, Scott gave a presentation to our students about the power of comics as a medium that combines image and text, and how that pairing, with the help of digital media, represents the future of visual communication.  Furthermore, his presentation focused on key issues of visual literacy - the very format of the presentation was an excellent learning tool for the students.  In nearly 45 minutes and over 300 slides, he presented clearly and effectively with no bullet points, no charts, and nearly no words other than the ones he spoke himself. 

His presentation was met with a hugely enthusiastic response.  Our students asked great questions about where he gets his inspiration from, what his next projects would be, and how he came up with the idea of "Homer Simpson" (that was my fault, when I introduced him I quoted Matt Groening's review of Understanding Comics - I knew that was going to happen).  I was way too jazzed that he was presenting at our school to take notes- but luckily my good friends took care of that -  Shaun McElroy live-blogged the event, and Amanda DeCardy posted her experience of Scott's contributions at SAS Pudong as well.  

Below you can see some photos from the class visit as well as the presentation:



A big hat tip to Mikey McKillip for working his magic to get Scott here to do classroom visits and presentations at the Shanghai American School, Shanghai Community International School, and Concordia International School, Shanghai. 

4.20.2009

Between the last minute details of putting together the 2009 Shanghai Student Film Festival, finishing up the Rotoball Project, and welcoming Scott McCloud to our campus, last week was a very busy week indeed!  I'm fully backlogged on this blog (or is it backblogged?) and I've still got some work ahead of me wrapping up other aspects of the festival and getting the Rotoball video online (its finished, the students blew my mind with it this year, I just have to fix some issues with the sound).   There is far too much for one blog post- the festival was a huge success, the Rotoball project debuted to rave reviews,  and Scott McCloud electrified five schools with his amazing presentations and classroom visits. We'll be covering all that here this week. 


However, if I don't start catching up with all the great things that have been happening here, I never will.  The festival was a huge success.  Over 400 people were in attendance from 10 schools in the Shanghai area.  After a week of working with our students in their classes, and presenting to our schools, Scott McCloud gave the opening remarks at our festival- reminding the students that they have the gift of a creative voice and an infinite venue through online publishing.   With that in mind, he also reminded them that quality matters.   

Although I've spent the last two weeks authoring the DVD of the show, I can share now that the student work truly amazed me.  This list of our winners is now posted, and that list will be updated with links to online videos once they are posted.   I'm especially proud of my students who took home a number of trophies, including awards for Best Narrative, Best Editing, Best Script, and Best Film of 2009 - as well as a number of Runner Up awards (Editing, and two Music Videos).  

However, some of my favorite moments of the evening were seeing the overjoyed faces of some students I'd never met before.   A young boy named Tien from the newly established Y.K. Pao school won "Best Video Art" in the elementary division.  Dressed in a suit and tie, he stared at his trophy in wide-eyed disbelief as his mother and teacher looked on proudly.  This picture of the students from SMIC's MVC video club says it all... or if it doesn't the blog post from "Best Director" Justine does:
Anyways, I guess all I’m trying to say is that, this would never be possible without any of you. I don’t think that’s grammatically correct but I don’t care. You guys are truly the greatest friends one can ever ask for, and the best crew a director can ever ask for. If I can choose again, I’d still choose you guys.  This award is dedicated to all of you.
The evening also provided solid confirmation for me in something that I have truly believed- that the presence of  the film festival drives the students to do better work. This, I believe, happens for two reasons- they are motivated by the spirit of friendly competition, and they learn by watching each other.  In looking at films from last year from all around the city, students are able to break out of cultures established by their own classes and think more independently.  

For more on the festival, do check out the reflections by Andy Torris, Amanda DeCardy, and the SMIC students.   More photos of the can be found in my S2F2 flickr set, David Larson's S2F2 Picasa album, and Scott McCloud's Shanghai Schools and Sites pictures. 

Tomorrow in Part II: (working backwards) Scott McCloud comes to SAS!

4.13.2009

Apologies for the lack of posts recently. This week we're working on getting the Shanghai Student Film Festival through its final stages of preparation and finishing up the Rotoball Project. The project will be debuting at the festival, and then it will be online next week. Since there is little in the way of updates at the revolution this week, check out what is going on here from Scott McCloud's point of view.

4.11.2009

Floating Rocks

I really dig how these images of floating rocks are so simple and sublime.

Well, borderline sublime.

4.07.2009

8 X 10

Here's a great opportunity if you're teaching in or around New York, the Hearst Magazine 8x10 Photography Biennial competition. Lindsay Galin, of Hearst PR sent me the following information: 

This exhibit featuring the winning photographs from Hearst Magazines' 8x10 Photography Biennial competition. The eight winners and ten runners-ups’ work is on exhibition for free in the Hearst Tower in New York City today through September 30. The 89 photographs featured in this exhibit, which includes portraits, landscapes, fashion, photojournalism and still-life images, is open to the public by appointment at 212-649-2148.

Hearst Magazines' 8 x 10 Photography Biennial is an international competition that recognizes the professional work of emerging young photographers. This year's winners are eight rising stars who a distinguished panel of judges -- including Timothy Greenfield-Sanders, Peter Lindbergh, Mary Ellen Mark, Steve McCurry, Esquire Editor-in-Chief David Granger and more -- believe will play an important role in the future of magazines, media, the Web and the worlds of design and photography. The competition received over 1,000 entries from photographers in 47 different countries. John Bennette, a curator, writer and lecturer on photography curated the exhibit.

For more information and to view the complete collection of winning photos and photographer bios, visit
Hearst 8x10.
Even if you can't make it to NYC, there are some truly stunning and inspiring photographs on the site.  The one above is Hiroshi Watanabe's Santa Monica Pier.  Times like these I wish I were still living in New York.

I'm not sure how this turns into a project yet, but check out this fun re-presentation of Little Red Riding Hood as an animated infographic:


Slagsmålsklubben - Sponsored by destiny from Tomas Nilsson on Vimeo.

This ceratinly works towards the idea of an Infinte Canvas. Thanks to Michael Lambert @ Concordia International School, Shanghai for pointing it out to me! All of us on the S2F2 commitee are seeing through Scott-McCloud-y-Glasses these days.

Update: Frank found this first. Curses, foiled again! :)

4.05.2009


Tricia Fuglestad and her students at Dryden Elementary took a trip to the Chicago Art Institute and got a chance to see Boucher's Boy With A Carrot up close. Just look at the smiling faces - they look just as happy as the boy in the painting. Carrots for all!

Thanks for the picture Mrs. Fuglestad and young revolutionaries!

4.02.2009

Welcome to the Carrot Revolution's edition of the Art Ed 2.0 Carnival of Blogs Green Friday event. If this is the first Green Friday Blog you're reading, be sure to check out these other blogs today:










Today we're all taking a stab at answering the question "How might we use art or design to promote a healthy environment and a peaceful, sustainable world?"



I have a two part answer that includes both film and video. Although it sounds like a natural pairing, these responses are entirely unrelated.



Green Video



As a video teacher, its hard not to jump to video as an answer. And why not? On a near daily basis, I find myself advocating for integrating video into curriculum, and teaching stand alone video classes, as teaching media literacy as a 21st century skill. In our media saturated environment, it is critical that students must learn not only to decode and deconstruct the daily barrage of commercials and corporate driven narratives, but to be able to create their own stories. The quote that I keep coming back to is from Saul Alinsky's Rules for Radicals:



Lacking communication, I am in reality, silent.



In order to be heard, students need to learn effective communication skills. Skills that will help them cross the divide between the the millions of poorly constructed and unwatched youtube videos towards a wider audience. Its an amazing thing today that some of my third graders have had their videos viewed more times than anything that I had produced throughout most of my career.



This is why one of my proud accomplishments this year has been working with Linda Sills of EARCOS to help build a mini Global Issues Film Festival for the annual GIN Student Conference in Bangkok, Thailand. Student GIN's are an important way for students to take ownership of global issues, and learning to make their own contributions. Based on ideas suggested by J.F. Rischard in his book High Noon: 20 Global Issues and 20 Years to Solve Them, Global Issues Networks coordinate local efforts in global collaborations.



In an effort to inspire action, student participants created videos to inspire action and raise awareness about environmental and other global issues. Our GIN club at the Shanghai American School helped out by creating a Public Service Announcement About Creating Public Service Announcements:










In addition, we created this sample PSA about overfishing:






Finally, Dennis Harter, the high school Technology and Learning Coordinator at the International School Bangkok included this powerful student video for inspiration, a great motivator for students who think that they can't do anything to change the world:







The response was terrific- we had about 30 videos covering all kinds of issues from students all over the Asia region. You can see the results here.



Green Film

Serendipity has always played a big part in the construction of this blog, and today is no exception. Of course in the middle of writing the earlier part of the post, I stumbled across this this great post from Photojojo: Develop Film using Coffee and Vitimin C! This may seem more 'orangy-brown' than 'green'... but remember that if you're using coffee and oranges to develop your film, you're not using those nasty (and expensive) chemicals that you need to pay to have carted off your school property anyway!



Apparently, you still have to use fixer, but at least you can dump the developer (in an ecologically responsible way). I thought this was too good to be true (I even checked to make sure this wasn't posted on April 1st), but to allay my concerns, I found this flickr pool of "Caffinol Photos". Can't wait to try this out- I just hope I can get all the ingredients in China...



Well, I'm feeling my morning cuppa calling me just thinking about the deliciousness in which these little gems were brewed. Excuse me, folks, time to grab some of my favorite fair trade developer. Happy green friday!

Update: My colleague Ben Holder tells me that the most toxic issue around developing film is the silver halides that the developer pulls off the film.  So while we're saving ourselves one part of the chemical process by going au natural in the developing, the worst part is left intact.  So this process is only slightly greener- its still pretty yucky brown in general. 

4.01.2009

Roll Up Bad Art

Just before I started this blog (back in the early days of 2005), I had found a really great website in which an artist had re-appropriated thrift-store, sofa art, starving artist paintings by adding all kinds of strange monsters and creatures into the landscape.   Finding and losing pages like that was the prime motivation for me starting this blog.   


I never found the page again, but here's something similar- loudxmouse takes similar type paintings and adds in a giant Katamari.  

I'm such a sucker for geeky art.

Op Art

Take a moment to read this great op-ed in the New York Times, written by my friend Conan's sister. In addition to the thoughtful argument, it graphically explains the problems with the elimination of various services by the Metropolitain Tranist Authority.

It shows who will be affected, and conveys the sense of urgency and loss by forcing the viewer to imagine the lives of the people it mentions. Click here to see a larger version of the picture.